Of Children, Books and Bear
A Conversation with Author and Illustrator Clay
Carmichael
by Cori Trudeau
We all
have a “bear” somewhere in our childhood, a favorite
stuffed animal or doll with whom we shared our deepest
secrets, most beloved dreams, worst fears, and greatest
adventures. Author and illustrator Clay Carmichael made
her bear come to life in her Bear books. Recently, I
talked with Clay about her books, her background, and
how she shares her love of writing, reading, and art
with children.
Carmichael has published
three Bear books. Her first, Bear at the Beach,
was published in 1996. The second, Used-Up Bear,
came out in 1998, and the third, Lonesome Bear,
appeared in 2001. North-South Books published all three.
Her books have been printed in six different languages.
All are in Japanese, and some are also in German, Dutch,
Spanish, and Korean.
Bear, the central
character in all three books, was Carmichael’s real
childhood toy, and she still has him. “Bear is
adventurous, daring, spirited, and independent. I was
bookish and shy,” she said. As a child, Carmichael used
Bear to try on different qualities. “Probably I always
had them deep down, but Bear allowed me to try them out
and later to own them,” she said.
Carmichael wrote Bear
at the Beach, as a way to deal with her father’s
illness. “I began writing when my father developed
Parkinson’s disease,” Carmichael said. “One day I came
home from visiting him, and I drew and wrote as a way to
make myself feel better. Essentially, that was the
central section of the book.” She said that although she
revised the beginning and ending, the main part didn’t
change much from that day, even though it took her seven
years to get it published. She also commented that she
did not set out to write a children’s book; she just
started writing and drawing and it came out in a child’s
voice.
Bear at the Beach is
the story of how Bear longs for a father and goes in
search of one. “In the story, each thing that Bear loved
about his father is something that I loved about my
father,” Carmichael said. Although in the end Bear
doesn’t find the real father he is looking for, he
discovers that he already has someone in his life who
loves him and is there for him, his best friend Clara.
To Carmichael’s great surprise and delight, Bear at
the Beach has generated a great deal of mail. She
gets lots of letters from single parents and families
where the father is absent, telling her how significant
the book is and how much it has helped them. “I get
letters saying, ‘This book has changed me; it changed
the way I look at things,’” Carmichael said.
The two other Bear books
also have strong emotional content. Used-Up Bear
is the story of how Bear feels old and worn—when he
compares himself to Clara’s new toys. He is worried that
he will be discarded. But Clara cleans him up, tightens
all of his loose, parts and makes him a new red suit.
Lonesome Bear tells the story of the day Bear lost
Clara. Bear and his friends, the rabbit and the cat,
look and look for her and almost lose hope. Bear thinks
he is “a bear by himself.” Then they discover that Clara
was looking for Bear, too. “Lonesome Bear has my
favorite animal in it, my cat—Mr. C’mere,” said
Carmichael, “I had him for ten of his twenty years. The
first ten years, he ran wild in the neighborhood and
didn’t seem to have a home.”
Carmichael grew up in
Chapel Hill, North Carolina, home to the University of
North Carolina. Her father was in advertising and wrote
mainly about UNC sports for the local newspaper. She
often accompanied him to the games and the newspaper
office. “I would go places with my father and people
would comment on his work, about how much they enjoyed a
story. I saw how he entertained people and made them
laugh, and I thought I wanted to do that, too.”
She learned about art at
her grandmother’s house. There was a small room that all
of the grandchildren called the “art room.” Using a set
of old watercolors that had been left there, she started
creating her first pictures. “I grew up around creative
people. My family respected and encouraged art and
literature,” Carmichael said.
In college, Carmichael
chose creative writing as a major and did her honor
thesis on poetry. “Writing poems is good practice for
writing children’s books,” she said. “The language is
distilled—every word counts.” But when she was in
college, she wasn’t planning to write children’s books.
One thing that surprises many people is that she got
into it totally by accident. “But I feel lucky because I
discovered my true self,” she said, “even though it
wasn’t intentional.”
Carmichael enjoys writing
for children. “It forces you to be honest and to do your
very best work because kids are not going to say
something nice just to be polite. Whatever they say,
they mean it. It forces you to be rigorous about your
work—I like that,” she said. “I write about things that
happen in my life and add my imagination.” She writes
about real things in her life also—the couch where Bear
sits is a miniature version of her couch. She still has
the steamer trunk that is in Lonesome Bear. She
thinks it was her grandmother’s. “There is a lot of
myself in the books,” she said, “a whole lot!”
When she is writing,
Carmichael doesn’t focus on her child audience. “I’m
just trying to make the most beautiful story with the
least amount of words,” she said. Although she
recognizes that children have a limited vocabulary, she
also wants to give them points in her books where they
can stretch. She hopes that parents read with their
children or, if children read alone, that questions
about a book will open up a dialogue between them and
their parents. Because of this, Carmichael doesn’t feel
the need to explain everything. She also said that the
pictures help to tell the story as well. “I don’t put
everything in the written part; the pictures and story
need to be seen as an integrated whole. It is an art
form,” she said.
Writing is hard work,
according to Carmichael. “When your parents are writers,
you constantly hear them in your head as you write, and
they seem to be saying ‘you can do better,’” she said.
Illustrating is her favorite part of the job. “Drawing
and painting—that is when I am freest,” she said. She
chose watercolors as her medium because that was what
was in her grandmother’s art room. She uses materials to
express feelings, so she loves the soft colors and finds
they do this well. However, it is an unforgiving medium.
“If you mess up, you have to start over,” she explained.
Besides writing books,
Carmichael also spends time teaching writing and sharing
her love of reading with children near her Carrboro,
North Carolina home. She worries that standardized
testing is burning children out on reading and writing,
and may even be teaching them poor skills. She is often
brought into schools to teach children how to enjoy
reading and writing again.
Although she enjoys her
work, Carmichael has had her share of frustrations.
“Publishing is a more rigorous activity than merely
writing,” she said, “it forces you to examine your work
and do your best.” Carmichael believes there is a trend
in the publishing world allowing marketing to make more
decisions about the content of books. “This is becoming
more and more acceptable,” she said. “I write about true
feelings, things I have actually felt in my heart—not
just for marketing.”
“All of my work comes out
of a love of writing, a love of art, and mainly a love
of reading. I love books—all kinds of books,” said
Carmichael. “Stories help us connect with ourselves and
each other. They bridge cultural, racial, and social
gaps. Everyone loves a good story,” Carmichael said,
“and all stories have happy endings, depending on where
you end them. My books are about joy, love, and loyalty.
I always try to tell the truth.” Carmichael added, “I
feel so lucky that I have found what I was meant to do.
I have already achieved well beyond what I ever thought
I would do.” Although Carmichael often finds the
business end of being an author distressing, that
doesn’t keep her from creating books. As she put it, “I
do it for love.”
Cori Trudeau is the past managing editor for The Five
Owls.