Heaven Eyes
David Almond
Delacorte Press April 2001 0-385-32770-6 $15.95
233 pages 8-1/4 x 5-3/4 Ages 10 and up

Erin Law and January Carr run for freedom. Tired of
White Gates, a home for abandoned children, tired of
being the world’s least favorite children, tired of the
everyday reminders of their parentless state, they seek
adventure on their jaunts, only to return after a few
days. But when Erin, January, and Mouse, a small boy in
need of their strength, leave on a river raft one
afternoon, it is to a destination that will forever
alter them. Washed onto the Black Middens, a stinking,
sticky mud area off the river, the three children crawl
into another reality consisting of deserted buildings,
boxes of canned food, and two solitary, otherworldly
people: Heaven Eyes and Grampa.
Heaven Eyes is like no
other being the children have encountered. Besides her
moon- ale coloring and webbed fingers, she seems to
speak in riddles, and the children struggle to unravel
her past. Grampa, fully living in his past as the
building’s caretaker, loves Heaven Eyes fiercely and
threatens “fettling” if she is harmed. For she is the
one who can “see through all the grief and trouble in
the world to the heaven that does lie beneath.”
Erin is the story’s
narrator, and she tells of how the three of them adjust
in this strange place: she and Heaven Eyes become close
immediately in a sister-like bond, while January remains
suspicious of Heaven Eyes and her capacity to love them
all unconditionally. Mouse begins to accompany Grampa on
his nightly diggings in the Middens and earns the title
of Little Helper. Everyone but January seems content.
But in the deep silence
of the building and its surrounding Middens, the
children begin to wrestle with their memories,
mysteries, and dreams. Heaven Eyes and Grampa’s world is
a waiting place, a finding place, but also a hellish
place, eager to suck them in if they lose themselves.
While Erin goes to the
depths of herself and survives with Heaven Eyes’ help,
January discovers pieces of Heaven’s story and risks
Grampa’s wrath. The confrontation that ensues allows
Grampa to finally give Heaven Eyes her treasures, the
pieces of her past, and let her go.
David Almond’s third
novel is utterly captivating. Each passage takes the
reader deeper and deeper into the lives of the
characters, and eventually the reader is pushed outside,
blinking. What was real? What really happened in the
Middens? Is Heaven Eyes a living angel? Layer upon
layer, Almond tells a story about loss, friendship,
family, and the endurance of love. It is also a story of
faith, as Erin prays to her dead mother in times of need
and comfort, as Heaven Eyes relies on her newfound
family to lead her away from the Middens and back to
White Gates. A familiarity with Christianity will help
tie together this already tightly woven story. Life
happens, death happens, clay figures walk, saints
emerge, and hell descends and recedes.
The language is
startling—Heaven Eyes’ sentences often lack verbs, or
they’re in another tense. As one adjusts to her manner
of speaking, one realizes she speaks in heart talk.
Nothing is hidden. As the narrator, Erin describes each
scene through sharp eyes and an unusually wise
perspective. Heaven Eyes is deeply touching. The
most impressive part of this novel is the trust Almond’s
children have in their memories and mysteries. Many
times, adult caretakers do not validate these memories
and put forth what they consider the “real” story.
In Heaven Eyes,
Almond’s children are the soothsayers. But he does not
let them get hung up in the past. Almond propels the
children forward to form new families and tell each
other the stories that count the most—their own.
—Holly H. Coughlin